Festivalia
‘Don’t bring pineapples’. Not
your usual Reading Festival advice from the organisers. ‘And don’t bring
weapons or drones either’, mocked the headline in the Reading Chronicle. It was
all to do with The Galls Animals and their ditty ‘Pork Soda’ where the line
“pineapples in my head” had prompted fans to bring the fruit to earlier gigs.
Daughter No 1 was getting packed
for Reading. She listened to the song and said she didn’t like it much so
wouldn’t be taking exotic fruits along.
I was getting her packed for
Reading too. My contribution mainly involved emptying out her tent after the Wilderness
Festival a couple of weeks before. This consisted of a goodly sprinkling of Oxfordshire
clay, together with a colourful range of glitter spots and face paint debris.
I wasn’t sure how much more the
£15 Tesco four-man tent would take. The flysheet zip had already broken and we
sent her off with some safety pins to hold it together. Had there been much
rain, the safety pins would have been spectacularly useless in keeping the tent
water tight.
When I click-and-collected it from
our local store, chatty sales assistant hauled my package from the recesses of
the store room and declared that “You can always tell when Festival season has
arrived. We’ve sold five of these just this week.”
That will be five returns at the
end of the season then, all with broken zips.
She returned, safe, sound, smelly
and knackered. Muse were apparently the Reading highlight (I was jealous of the
Brian Johnson guest spot when he smashed out ‘Back In Black’), but the overall
verdict seemed to go to the Wilderness Festival’s mass yoga event. It’s all Plank
‘n’ Roll, baby.
The grown-ups had a bit of
Festival Fever this Summer as well. We loved Green Day’s headlining slot on the first Saturday of
the first British Summer Time bonanza. It was sandwiched between Phil Collins
the previous evening and Justin Bieber the night after. Interesting schedule. A
rose between two thorns? A fart between two cheeks? Hard to say really.
Old punks never die. A
fact emphasised by Stiff Little Fingers, who kicked off events on the main
stage. They burst out of Ulster in 1977 as angry young men searching for a
voice. Forty years later, the only thing that has changed is that they are 40
years older… Our mates Nick and Den had come with their youngest, Jenny. Nick
had insisted that, if nothing else, she at least saw SLF and experienced ‘Alternative
Ulster’ in the raw. Daughter No 1 was with us too and both teenagers gave the
band a youthful seal of approval.
This was the first gig
where I’d seen signers projected on to the big screen, interpreting the lyrics
for punters with hearing impairments. The Damned’s set gave the signers a
thorough work out. ‘Love Story’, ‘Neat, Neat, Neat,’ and ‘Nasty’ came and went
in a hail of lyrical salvoes and scything guitar. After 15 minutes one signer
had to make way for a replacement and headed, no doubt, back stage to plunge
her hands in a bucket of iced water.
The surprise package of the day were undoubtedly Gogol Bordello. This gypsy punk ensemble played the sort of rumbustuous, feel-good music that provoked a 40 minute park-wide dance-a-thon. The band hail from New York, but the heritage is all about traditional Eastern European vibes spiked with dance, dub and rock. There’s a strong Jewish influence to the sound too, and a slice of ‘Fiddler On The Roof’ would not have been the biggest surprise in the World.
The only downer on the day was The Stranglers who were confined to the second stage, where there was an inadequate sound for the size of the crowd that pitched up to see them. We picked our way through the hordes, Moroccan flatbread wrap in one hand, pint of craft beer in the other (my, how Festivals have changed…), and managed to find a spot close enough to hear Dave Greenfield’s keyboards flesh out ‘(Get A) Grip (On Yourself)’ above JJ Burnell’s excellent, but swamping, bass lines.
The surprise package of the day were undoubtedly Gogol Bordello. This gypsy punk ensemble played the sort of rumbustuous, feel-good music that provoked a 40 minute park-wide dance-a-thon. The band hail from New York, but the heritage is all about traditional Eastern European vibes spiked with dance, dub and rock. There’s a strong Jewish influence to the sound too, and a slice of ‘Fiddler On The Roof’ would not have been the biggest surprise in the World.
The only downer on the day was The Stranglers who were confined to the second stage, where there was an inadequate sound for the size of the crowd that pitched up to see them. We picked our way through the hordes, Moroccan flatbread wrap in one hand, pint of craft beer in the other (my, how Festivals have changed…), and managed to find a spot close enough to hear Dave Greenfield’s keyboards flesh out ‘(Get A) Grip (On Yourself)’ above JJ Burnell’s excellent, but swamping, bass lines.
The crowd
began to disperse back to the main arena for Green Day before The Stranglers
had finished their set. One of their finest moments, ‘No More Heroes’ was delivered
in an underwhelming atmosphere that had the air of exit music for a film.
Desperately disappointing.
Green Day
were fine headliners. Their emergence on stage was preceded by ‘Bohemian
Rhapsody’ blasted over the PA and sung with such gusto by the crowd that a
video of the rendition shot from behind the band’s empty drum stool went viral
on social media.
A week
later, we pitched up in Tring, just down the road, for another retro workout.
This time the music erred rather heavily towards the poptastic 80’s. The
weather was hot. Otherwise there were no similarities with Green Day at all.
Never, ever tell any of my heavy metal mates that I was singing along to the
Real Thing. I hang my head in shame.
That said, when Midge Ure cranked
out a delicious version of ‘Vienna’, I became quite emotional. About 15,000
massed voiced declaring that the feeling had gone and that it meant
nothing to them. What they thought about haunting notes and pizzicato strings
was less clear, however.
Can’t say the OMD left me unmoved either. ‘Joan
of Arc’, ‘Souvenir’, ‘Forever (Live and Die)’. So many classics. I had
forgotten how many foot-tapping ditties they churned out.
About an hour later, the reaction of
festival goers on the way home was less foot-tapping, more screaming for mercy.
Mrs A, Sue and P had decided that a group sing-a-long was in order. We
had just missed a train south and our platform was quiet. So this revellious trio pitched their camping chairs, sat down and delivered a gruesome and yet enthusiastic
a-cappella distant relation of, you guessed it, ‘Bohemian Rhapsody’. The
situation might have been containable if the northbound platform had not been
swamped with people waiting for a late running train out of Euston. Requests (both
for songs and suggestions for where the camping chairs might more usefully be
employed) were hurled across the tracks and the impromptu concert was dragged
through a few more popular classics. Respective trains arrived in the nick of
time.
In search of credibility restoration, and
in the belief that like punks, old rockers never die either, I headed to Maidstone,
that cradle of rock ‘n’ roll mayhem, for the Ramblin’ Man Fair.
Amongst the fine classic rock, metal,
blues and prog from such stalwarts as UFO, ZZ Top, Magnum and Wishbone Ash, there
were some rollicking sets from newer kids on the block. Blues Pills and Blindstone
both brought a Scandi twist to their high-octane blues-infused psychedilc rave
ups. Fantastic. Must be all that pure air and expensive beer.
“Hey, don’t
I know you!”
Not the best opening gambit, I’ll admit. He
scrutinized me.
“Yeah, yeah!
Course you do!”
“No, I do!
You’re from Berko, you drink in The Lamb!”
There was a flicker of recognition, though
he was all but gone by then, stumbling backwards through the crowd, clutching
four pints in a cardboard carrier.
A fortnight later, I saw him again. In The
Lamb, naturally.
“Hey,
weren’t you at Ramblin’ Man!” I was expecting a similar response to the last
time we met. But no, we connected.
“Oh,
yeah, I remembered you after the gig. Sorry, I was a bit blasted!”
Dick was propping up the bar with a bloke
who he was keen to introduce me to. Turned out his American mate, Dave was one
of the co-owners of the Festival. Small world. There was plenty of energized blather
after that and I fully expect at least a full VIP area/glamping package for the
entire weekend next year. Now that my new mate is the original Ramblin’ Man!
Just one last Festival to report. More precisely
a festivity, I suppose. That of my Dad’s 80th birthday. No fan of parties,
the four of us, my Bruv and Dad’s brother, Uncle Roland decided to take birthday
boy for a bit of fine dining at a classy gaff in Malton. When I was a kid, the
words ‘classy’ and ‘Malton’ would never be heard in the same decade, let alone
same sentence. The place would have been a great choice for a punch-up on your
80th birthday – as well as any other day – but not much else. Now it
seems the market town is undergoing a culinary rebirth and has become a foody destination.
We were not disappointed. If the Old Lodge
is the benchmark, the town has come an awful long way since breeze-block pasties
at the station caff.
Mind you, a bit of quality like that comes at a proper price.
High amongst my Father’s qualities is a traditional recognition of what
constitutes value for money in the eating department. When the bill came in a brown
leather wallet, Dad opened it, glanced at the total, muttered “aye” and passed
it to my 20 year-old daughter like it was pass-the-parcel in a Belfast pub
circa 1972. She looked at us helplessly, fearing her student loan was to take a
fatal hit.
Malton is coming up in other ways too. On
the outskirts of the town, Jack Berry House has been open for a couple of years
now. It is a state-of-the-art rehabilitation centre for racehorse jockeys.
Malton is the life blood of racing in the north and this new establishment is a
real step forward.
Dad and Roland were in the front of the
car as we neared the Centre. I was in the back.
“Have you
seen Jack Berry House yet, Dad?”
“Oh no.
No, I haven’t! Where is it David?”
“We’re
just coming up to it, Dad.”
“Where is
it? Is it here?”
“No, not
yet. I’ll tell you when we get near it”
“I can’t
see it. Jack Berry House? Well, I can’t see it!”
“Dad! We
aren’t there yet. I’ll tell you when.”
[nanosecond
pause]
“Is that
it? I don’t think that’s it. Where is it David?”
“Nearly
there.”
[Picosecond
pause]
“I can’t
see it? Where is it?”
“It’s
there, Dad. On the left. Just next to the cricket ground.
“Oh, it’s
there. Jack Berry House. Aye.”
Is it too much to hope that Father might find
some patience now he’s in his 9th decade?
Dad and Roland probably see more of each
other now than at any time in the last 50 years. Both widowers for the last few
years, they get out together every other fortnight or so up to the Moors or round
Dales, finding a pub for lunch. Bruv often chauffeurs them about. He told me
that they had a great drive around Rosedale and Farndale recently, whilst the
heather was in full spectacular bloom. At their last stop atop Chimney Bank, Bruv
parked up so they could take photos. As he got out, the collective view from
the back seat was that they would stay in the car. “It’s a lovely view and all
that, but sometimes we just can’t be bothered...” Bruv just shrugged. Clearly
you really can take some things for granted.
I think that brings matters up to date. If
you’ll excuse me, I’m just off to Tesco’s to return a dodgy tent.
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