The Ghost of Jimi Hendrix
Essaouira has plenty enough going for it already. Formerly
known as Mogador, the city has a beautifully preserved medieval walled town
crammed with souks, art and craft shops, cafes, riads and a maze of lanes in
which to get blissfully lost. It is set on a perfect half-moon west-facing bay,
carpeted in soft yellow sand. It is cooled by a sea breeze which takes the edge
off the burning sub-Saharan sun.
Nevertheless, the local tourist board likes to add in to
this heady mix a soupçon of myth and legend: Jimi Hendrix once visited briefly
in the 60's and you would be forgiven for assuming that this is the most
important incident to illuminate the settlement's two-thousand year
history.
Arriving at the newly constructed airport was a relaxing
treat compared to the dehumanising experience of low-budget departures crammed
together in 10 minute slots at a Luton terminal undergoing a complete rebuild.
Stress levels had subsided on the flight. Waiting in the brief passport control
queues, Daughter No 2 spotted a pen-portrait of La Hendrix on a four-foot
square tablet above the main door. It was in a series of pictures alongside
Orson Welles, Bob Marley and the current Moroccan King, Mohammed VI.
Interesting company.
In a few short minutes, we were on our way to the hotel. The
taxi was a Merc saloon circa 1978 painted blue and white. This was no Cuban
style classic car relic though. The badly fitting front doors were replacements
for the originals and were painted a different shade of blue to the other
battered bits of bodywork. I pulled the seat belt across my body, only to find
the buckle was missing. I grinned at the driver and let it dribble back up the
stanchion. He grinned back at me.
The hotel was a different matter though. If there was ever
any benefit to be wrung from our girls taking GCSEs and A levels in the same
angst-ridden Summer, jetting off to a posh gaff before the prices sky-rocketed
in the school holidays was it. Sipping mint tea on comfy sofas and then offered
hot towels whilst completing the check-in formalities was a small part of the
5-star experience I had unknowingly been craving all my travelling life.
Most of the other guests were either Moroccan or French and,
notwithstanding a modest spike of visitors over the weekend, the hotel was
pretty quiet. The resort is a popular with those who reside in the hotter,
steamier inland areas of the country. We had access to a private beach: a rectangle
of sand segregated from the main beach by a low, white picket fence which
enclosed hotel branded beds, recliners and towels. It was policed by G4. Seriously.
However uncomfortable I felt about this rampant commercial elitism, we were
happy to avail ourselves of the facility.
The Medina, for all its crumbling charm and Portuguese,
French and Berber architectural influences, was a bit of an eye-opener on the
first night. We had all overestimated the percolation of western culture into
this still isolated part of Morocco. The girls, with their fair hair, fair skin
and a modest areas of bare flesh on display attracted plenty of unwelcome
stares, winks and gestures. Daughter No 2 predictably met this behaviour with
outrage. "I'm not a piece of meat! Stop looking at me! They can't behave
like that!" Daughter No 1 was more circumspect and prepared to ignore the
attentions, however uncomfortable.
We had many conversations about clash of cultures, respect
for women, male dominated society, respect for other people's views, the
significance of dress and so on. Both girls worked out ways of dealing with
attentions, though for good reasons they were never happy. Humour helped. Daughter
No 2’s boyfriend, via her messenger app, implored me not to sell her, even
though I was offered diamonds. She had understood the going rate to be camels and
was a little flattered. On another
occasion when I was hagglingfor some trinkets, the trader complimented me:
“You have a lovely family. Lovely
girls”. Implying that I alone was completely responsible for this perfection.
"Have you met my wife?"
I tugged on Mrs A's arm. "She's for sale too."
Poking around the old town's narrow by-ways and snickets
became a regular daily adventure.
Apart from eating breakfast, buying tat,
scaling bastions and drinking, there was plenty of Jimi Hendrix spotting to do.
We bagged a portrait in a cafe circa Band of Gypsies; and a pock-marked mural
on an alleyway off the main drag.
Such a male dominated culture, in the odd moment, can throw
up some surprising mutual understanding. The three women in my life were
helping me to buy a souvenir t-shirt, my usual habit on holiday.
"That design is best"
"No, not that colour."
"Are you sure you don't need
extra large?"
Mrs A was holding the shirt up against my back whilst the
others were generally making fussy hay. The shopkeeper looked at me and smiled.
"Are you happy?"
"Not really!"
The place played to the strengths of my five-word
multilingualism. Though I did struggle pin down in which language I was trying
to communicate.
“Hola!” I cried, passing a shop
stuffed with wood carvings.
“Hola!. Are you Spanish?” replied
the trader in English. For the life of me I have no idea why I said ‘Hola’.
“No, English!” I shrugged and
moved on, leaving both his bemused expression and Daughter No1’s cringe/laugh,
in my wake.
Down by the harbour, crammed with tiny fishing smacks and more
substantial boats, all manner of fruits of the sea could be purchased from
stalls set up right where they were landed.
We pottered along the massive
ramparts built in the 18th century to protect the port. Moroccan youths posed
for photos of each other next to cannons and on the battlements striking macho
shapes in, frankly, homo-erotic behaviour. If you cupped your ears against the
wind, you could almost hear them asking “Do you like gladiator movies?” So I
struck a bold shape of my own, just to show we Westerners can go all butch too.
Only mine didn’t seem to carry the same gravitas…
The enterprising Moroccans never missed an opportunity to
maximize their tourist income. One afternoon, we thought we would take the
‘petit train Mogador’ around the harbour. This open four carriage convoy was hauled
along by a tractor disguised as a loco. There were no other visitors on the
train. I asked the ticket collector when we would be leaving. He made that now
familiar non-commital shrug and said maybe five or ten minutes. Within a moment
he added. “If you give me one-hundred, we leave now. And you have train to
yourself! Spread out! You enjoy, yes?”
Deal! It was the best 100 Dirhum we spent all week. Not only
did we get a tour round the harbour, but right along the seafront as well, as
far as the end of the built up parts of the settlement. I thought about booking
it for the trip back to the airport. We had walked past the tourist train every
day at the Medina gates. It was always there. And now as we snaked through the
streets behind the bay people waved at us like they had never seen it before. I
wondered exactly how many times the train was used on an average day…
I never struggle to wind down on my breaks. People have said
to me in all earnestness that they go away for a fortnight because it takes
them the first week to get into holiday mode. I suspect this is a myth created
by those weaving a web of self-importance about how busy and irreplaceable they
are.
The food was pretty good on the whole, though variety
wouldn’t be the area’s greatest selling point. I might not be tempted by tagine
for a little time to come. We found a great spot for breakfast overlooking a
square in the old Medina where we were serenaded by a gaggle of wandering
troubadours. Much better than the saucepan-lid wielding racket that accompanied
a terrible meal in one of the rooftop restaurants we found one evening. (John Dory like old boots, crepes like
latex and boiled cous cous like, well, boiled cous cous).
Local food and local music weren’t always on the menu
though. A fabulous Italian restaurant had a performer dishing out a jazz
influenced ‘Purple Haze’ and on another evening there was a rendition of ‘Hey
Joe’ by a decent band in another rooftop bar. It was almost as if Jimi Hendrix
was there. In spirit at least.
All that lazing around made me restless for an expedition.
We decided to visit Jimi’s dunes. At the far end of the bay, over the River Oued
Ksob and close to the village of Diabat, a series of fescue and grassy sand
dunes tumbled into the bay. Just beyond was Borj el Baroud, a ruined fortified
watchtower that becomes visible and accessible at low tide. This, according to local
folklore (well, a couple of travel websites anyway), was the inspiration for
the Hendrix track ‘Castles Made of Sand’ on the Axis: Bold As Love album. As
anyone who has the merest passing acquaintance with rock ‘n’ roll chronology
knows, this album hit the racks in 1967. Jimi didn’t check in to the
pink-walled city until 1969. The local tourist board surpassed themselves with
this one.
Our adventure had intended to take in a pool/bar complex at
the far end of the bay to cool off over lunch. We couldn’t find it (though
later I realised we were very close to the Jimi Hendrix hotel in Diabat!) Instead
we found ourselves on an unused track skirting around the back of the bay, past
a few abandoned buildings. The immediate prospect did not look too promising. No
matter. With my innate geographer’s skills, I instinctively took charge. We
negotiated the dunes, rocks and water hazards with ease. Not without some
dissent from the troops behind though.
“This is the Sahara. This is the
actual Sahara! What are we even doing here?”
“That’s a skeleton. Like an
animal’s died here from exhaustion. It’s a warning sign!” (It was a dead gull…)
“I’m hallucinating! I can see a
lake!” (The shimmering vista was the River Oued Ksob)
“I’ll be alright. I have half a
bottle of water. I’m not sharing though.”
And so it went on.
We crested reed-anchored dunes to see the entirety of the
glorious bay laid out before us and the base of Jimi’s ruins lapped by gentle
waves. “I have led my people to salvation!” I declared. More groans of
derision. Daughter No 2 fell to her knees and looked skywards. Relief, thanks
or exhaustion: we may never know. A croque monsieur and a bottle of pop in the
nearby ‘Beach Friends’ bar seemed to restore spirits. Life on the edge.
Beach activities in Essaouira didn’t actually extend to
sandcastle-making, despite Hendrix’s tenuous contribution to the subject. I saw
a poor attempt at a boat carved in the packed sand with a stick, but that was
about it. If this was Britain, there would be curtain walls with crenellations,
motte and baileys, and moats filled with seawater every few yards. Maybe now we
are in Brexit mode we should build real castles again to fortify against the
dreaded continental invasion. That way I’d get even better value out of my
English Heritage membership. I knew there would be a Brexit brightside if I
looked hard enough.
And with that cheery thought, we headed back to dear old
Europhobic Blighty.
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